March for the Alternative – A brief thank you

My bloodied and broken glasses Covering the TUC March for the Alternative yesterday I was hit above my left eye, just below the brim of my helmet, by a rock thrown by a protester as it ricocheted off a police van. I was photographing a group of protesters who’d broken away from the main march and had attacked a branch of HSBC in Cambridge Circus.

The wound needed 9 stitches and my glasses are broken beyond repair. I just wanted to offer some thanks to everyone who helped me yesterday:

Thank you to the two photographers who got me away to safety and to a nearby fire station for first aid.

Thank you to the firemen who let me into their station, cleaned and bandaged me up.

Thank you to my friend and colleague Marc Vallée who got me to A&E, waited with me and made sure I got on the train home safely.

Thank you to the doctors and nurses at A&E who looked after me and the maxillofacial surgeon who stitched me back up again.

Thank you to my Dad who gave me a lift home.

Thank you to my housemate Ellie for keeping an eye on me for the last 24hrs.

And thank you to everyone who rang, text and sent messages via Twitter & Facebook.

Civil Unrest – A Review

Last night I went to see the Civil Unrest show that my photographs have been included in. The show is in a series of tunnels under London Bridge at Debut London and forms part of the Coming Up festival.

Entering the venue two actors stand costumed, quite convincingly, as riot police guarding the gallery. After a few minutes to buy drinks and a programme the audience is invited through to the next tunnel with the two police checking the stamps on people’s hands that they were given in exchange for their tickets on the door.

The ‘gallery’ is a smoke filled tunnel with photographs of protests, some are simply hung by cable ties to metal fencing whilst others have been collaged with newspapers. The room is lit by bare bulbs strung across the room and a bright red stage light in the corner that backlights some of the photographs.

Soon the police come and bark at people to move on to the next section, which includes artwork by Peter Kennard and video by Fil Kaler, the audience is contained in a small area surrounded by more metal fencing and riot police. Small groups of people are then allowed through by the police to a kitchen hatch and handed a cardboard tray of food and pass onto a canteen. The canteen is made up of two long rows of tables and benches, surrounded by scaffolding that makes walkways above and patrolled by riot police as people eat below.

The food initially looked unappealing in it’s compartmentalised cardboard tray; a bread roll, beetroot, roast vegetables, a slab of meat on a thick grey sauce and a large blob of bright yellow mustard. But after trying some with the provided plastic spoon you find that the bread roll is soft and fresh, the vegetables are delicious, the meat has been cooked slowly and crumbles away and the sauce is a creamy mushroom one. Drinks are brought round by a man wearing a navy jumpsuit, pushing a trolley with enamel mugs containing a small serving of Courvoisier punch.

After people had finished eating two of the tables were removed from the middle of the canteen to form the centrer stage for Ben Ellis’ play Unrestless. The play is about three siblings different approaches to the student protest outside Milbank last year.

The play utilised the space in the tunnel quite well, with scenes taking place on the walkways over the audience and others with the actors walking over the tables where people had been eating and were still sitting. I don’t often go to the theatre but there were a few scenes I couldn’t quite suspend disbelief, but that’s probably more because I covered the events depicted rather than any fault with the acting.

Unfortunately the show has already sold out for the rest of it’s run, but there will be a private view at 4pm today, just drop me note via email or in the comments and I’ll get you on the guest list.

You can see more photos from the show in my archive.

Civil Unrest: A Landscape of Political Dissent & Social Disorder

My photos of political protest have been included in the Civil Unrest project curated by Spike Laurie at the Old Vic New Voices and is part of the Coming Up festival.

It includes photographs by:

  • Brian David Stevens
  • Guy Smallman
  • Marc Vallée
  • Fil Kaler
  • John Godwin
  • Jonathan Warren
  • kennardphillips

It will also feature theatre Unrestless by award winning playwright Ben Ellis

The show is on March the 2nd, 3rd and 4th only at Debut London Bridge.

Unfortunately all of the free tickets have sold out already, but paid tickets are still available and include a meal devised by Mark Jankel.

Live: Student Tuition Fees

Thousands of students are held back by police on Whitehall

Thousands of students are held back by police on Whitehall

I’ll be live blogging the events over the next day or two, leading up to the vote and protests against a rise in student tuition fees. This page will update automatically, no need to refresh.

Read the rest of this entry »

“Neoliberalism is rubbish”

Newsnight’s excellent Economics editor Paul Mason was speaking about the updated edition of his book Meltdown: The End of the Age of Greed at the Frontline Club this week. Unfortunately it was on the same night as the London Photographers’ Branch meeting so I couldn’t make it.

Fortunately it was recorded so you can watch the whole discussion online, or download it as an MP3.

Documentary Photography Downfall

The Führer isn’t very happy with his students using digital.

Note: to fully understand the subtly here you need to have completed the Documentary Photography course at Newport.

Speeches from Protest the Pope Rally

I’ve collected some of the speeches from the Protest the Pope rally on Whitehall last weekend. Ben Goldacre didn’t get to speak for long as police were threatening to cut the power as the rally went on longer than the organisers had planned. My images from the Protest the Pope march and rally.

The Threat to National Security

It is interesting to note in this context that in the last ten years what might be called a “zero tolerance” attitude to terrorist risk in Great Britain has become more widespread. While it has always been the case that the authorities have made every effort to prevent terrorist attacks, it used to be accepted as part of everyday life that sometimes the terrorists would get lucky and there would be an attack. In recent years we appear increasingly to have imported from the American media the assumption that terrorism is 100% preventable and any incident that is not prevented is seen as a culpable government failure. This is a nonsensical way to consider terrorist risk and only plays into the hands of the terrorists themselves. Risk can be managed and reduced but it cannot realistically be abolished and if we delude ourselves that it can we are setting ourselves up for a nasty disappointment.

A sober and unsurprising ‘state of the union’ by Director General of the Security Service, Jonathan Evans speaking yesterday on the Threat to National Security.

Those who are interested in such things might find the Intelligence and Security Committee report Could 7/7 Have been Prevented (PDF) gives greater insight into the Security Service’s focus and capabilities.

The Soda Pop Stop

A charming little 13 minute documentary on the Soda Pop Stop store in Los Angeles by Chow.

Jon Snow interviews John le Carré… For the last time?

Le Carré writes all his books long hand, in the video you can see him cutting out sections of pages and stapling them to others. Cut & paste the old fashioned way!